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	<title>Sovay Berriman</title>
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	<pubDate>Mon, 28 Apr 2025 11:05:12 +0000</pubDate>
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		<title>Gwyrdh Glas &#124; Liwyow a Gernow</title>
				
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		<pubDate>Mon, 28 Apr 2025 11:04:24 +0000</pubDate>

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GWYRDH GLAS &#124; LIWYOW A GERNOW


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Gwyrdh Glas &#124; Liwyow a Gernow (Green Green &#124; Colours of Cornwall), 2023Joint commission for Flamm &#38;amp; Platforma 7In partnership with Creative Kernow, ArtNight Dundee &#38;amp; Counterpoints Arts

Gwyrdh Glas &#124; Liwyow a Gernow is a multimedia installation comprising the film Gwyrdh Glas alongside a collection of cardboard 'rocks' created during public workshops. The work is part of the broader MESKLA &#124; Brewyon Drudh project.

The film Gwyrdh Glas looks to the granite forms scattered across Kernow—such as Carn Brea*, Trencrom, and Rough Tor—and the connection to land shared by many throughout the MESKLA project. Exploring contemporary Kernewek/Cornish cultural identity, the work invites conversation around the impact of extraction industries, such as tourism and mining, through the collective act of making sculpture.

The accompanying Liwyow a Gernow installation grew from a series of making workshops where participants created 'rock' sculptures from reclaimed materials, painting them in colours that connect to their identities and relationships with the Cornish landscape. Each shade was given a name in Kernewek (Cornish), expanding the lexicon of this ancient language.

*Carn Brea is a rocky hill with granite outcrops shaped by the squeezing hands of giants; I grew up with it always in my vision.

Huge thank you to Kowethas an yeth Kernewek who loaned dictionaries to the project, and to Cornwall Council's Cornish Language Service who supported the project with Kernewek translation.

For more information and documentation of the Flamm festival, please head to the Flamm website.



Clip from Gwyrdh Glas, 2023

Back to MESKLA homepage





︎&#38;nbsp; &#38;nbsp;︎  &#38;nbsp;︎

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		<link>https://sovayberriman.co.uk/HOME</link>

		<pubDate>Mon, 28 Apr 2025 11:05:12 +0000</pubDate>

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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2bf0233ce69ae3ecd5f24dc64d7f3a69ff43a72e2c5a4ab895f094fb7af8b526/Maylya.-Sovay-Berriman.-2025.00_00_52_13.Still002.jpg" data-mid="253261496" border="0" data-no-zoom="true" alt="Maylya, 13&#38;rsquo;11&#38;rdquo;, 2025, still" data-caption="Maylya, 13’11”, 2025, still" src="https://freight.cargo.site/w/1000/i/2bf0233ce69ae3ecd5f24dc64d7f3a69ff43a72e2c5a4ab895f094fb7af8b526/Maylya.-Sovay-Berriman.-2025.00_00_52_13.Still002.jpg" /&#62;


Maylya &#124; Plymouth Art Weekender
October 2026I was in Plymouth at 37 Looe Street for a residency and show this October, as part of the&#38;nbsp;Plymouth Art Weekender. I was showing Maylya, 2025, a short film made in the historic Dry, at the National Trust’s East Pool mine site last Summer, alongside new scupltural works made with reclaimed copper and cloth.
Damp Stories&#38;nbsp;
September 2026 - May 2027


	I’ve been awarded a National Lottery Projects Grant to begin a new body of work focusing on damp. Living with it, navigating it, and looking at how it finds its way in to our homes and workplaces. 


Throughout my life I've lived, often precariously, in a variety of situations affected by damp. And in my work as a heating installer and retrofit consultant I’ve seen a lot of damp, and learnt much about its causes. 
Through the Autumn I invited people to share their experiences of damp at a series of free art and conversation workshops. The workshops were designed to allow a gentle and creative opportunity to explore our responses to living with damp. We made artworks using collage, paint, and drawing, and shared conversation around our experiences.If you have your own experience of living or working with damp to share, I would love to hear from you. Please get in touch via my CONTACT form.Coming up for 2027 will be an exhibition at Auction House, Redruth (April-May 2027), and a series of film screenings at University of Reading, Exeter Phoenix and MIRROR at Arts University Plymouth. &#38;nbsp;
 


	&#60;img width="1417" height="1539" width_o="1417" height_o="1539" data-src="https://freight.cargo.site/t/original/i/1685255986c6439ed144ad5a84d2d4b1d1f6bf9078e8e61d4baa955575a7dc70/IMG_4269-copy.jpeg" data-mid="252710772" border="0" data-scale="72" alt="Workshop at Alma Artspace, Newquay, Kernow" data-caption="Workshop at Alma Artspace, Newquay, Kernow" src="https://freight.cargo.site/w/1000/i/1685255986c6439ed144ad5a84d2d4b1d1f6bf9078e8e61d4baa955575a7dc70/IMG_4269-copy.jpeg" /&#62;Workshop at Alma Artspace, Newquay, Kernow

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Sijelo Collective - If Trees Could Talk Biennial
July - September 2026
New work from the Sijelo Collective - womxn* artists, creatives and activists dedicated to addressing the intertwined challenges of displacement, racial justice, and climate justice. Find out more about Sijelo via our new website&#38;nbsp;
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Still from film by Sovay Berriman, 2026
Flamm 202628th Feb - 1st MarchAs a previously commissioned Flamm artist I was very glad to be invited by Creative Kernow and Counterpoints Arts to participate in this year’s festival,
with a text-based commission The Thing About Making Rocks.I also facilitated an exchange project between some of this year's commissioned artists &#38;amp; artists and creatives from the Counterpoints Arts Climate &#38;amp; Displacement group. We recorded a special episode of my Meskla Podcast, to discuss the exchange and how all the participants felt about it. You can listen to the episode below.




	Transcript HERE
    

	




Over the FLAMM weekend, Jelena Sofronijevic creator of Empire Lines Podcast, invited me to join a conversation with&#38;nbsp;Marie-Anne McQuay - curator of Bedrock - Liverpool Biennial 2025, for a live recording of an Empire Lines episode, you can listen to the episode&#38;nbsp;HERE,

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Catching Copper National Trust, East Pool Mine,
9th August - 25th September 2025



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Catching Copper was a multi-layered exhibition across all floors of Michell’s Engine House. It included video, sculpture, drawing and an audio-story that draw upon experience and memories of the local area, to consider loss, social change and the legacy of extraction industries.</description>
		
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